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Encuentros muy cercanos con señoras de cualquier tipo

Name: Encuentros muy cercanos con señoras de cualquier tipo
Director: Hugo Moser
Released: 1978
Duration: 91 min

Representation Score

2.3/10

Limited

1978

Director

Hugo Moser

Runtime

91 minutes

Average Rating

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New Showbiz Analysis

This comedy hinges on the classic imposter cliché, where two men create a facade of corporate success. Humor arises from the contrast between their true circumstances and their fabricated socioeconomic status. The film upholds traditional social structures, using conventional gender roles and marriage as tools for economic deception. It stays within the confines of mid-century comedic frameworks. Overall, the representation is functional and male-centric, with characters navigating existing hierarchies to achieve material success and social standing.

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Category Breakdown

Does Encuentros muy cercanos con señoras de cualquier tipo have LGBTQ+ representation?

Limited

The film centers on traditional heterosexual relationships, with the protagonists seeking wives rather than exploring non-traditional gender identities or critiques of marriage.

How does Encuentros muy cercanos con señoras de cualquier tipo portray gender?

Limited

Women in the film mainly serve to support the male protagonists' ambitions, functioning as props rather than independent characters.

How racially and ethnically diverse is Encuentros muy cercanos con señoras de cualquier tipo?

Limited

The movie likely reflects the demographic makeup typical of 1978 Argentine commercial comedies, focusing more on Western economic standards than ethnic diversity.

How does Encuentros muy cercanos con señoras de cualquier tipo represent religion and culture?

Fair

The narrative emphasizes economic aspirations through traditional capitalist means, focusing on individual actions within existing structures without critiquing broader societal issues.

Does Encuentros muy cercanos con señoras de cualquier tipo include disability representation?

Minimal

There are no characters with visible or invisible disabilities mentioned in the film.

Present on Screen

The film employs a well-known comedic structure through the classic imposter cliché.

Limited or Absent

The narrative reinforces traditional gender hierarchies by using women as functional props.
The story lacks representation of non-traditional gender identities or diverse ethnic backgrounds.
The plot adheres to conventional social structures without critiquing systemic power dynamics.

Official Synopsis

Alberto and Jorge are two comedians, who before the possibility of making money with a business agent, agree to play the role of executives of a fictitious company, in order to appear prosperity before possible foreign buyers of players. As the business agent instructs them to present themselves as married, Alberto and Jorge propose two co-workers to represent the indicated role.

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