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Las ficheras: Bellas de noche II

Las ficheras: Bellas de noche II

Representation Score

2.5/10

Limited

1977

Director

Miguel M. Delgado

Runtime

100 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Bellas De Noche 2 - Las Ficheras is a conventional genre comedy reflecting the social hierarchies of 1970s Mexican cinema. While it centers on a specific female subculture, the storytelling remains tied to traditional masculine archetypes and power structures. The film does not intentionally promote progressive representation, focusing instead on established comedic formulas. It offers a localized cultural perspective but does not aim to subvert the status quo or include diverse identities beyond the era's typical casting practices.

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Category Breakdown

Does Las ficheras: Bellas de noche II have LGBTQ+ representation?

Limited

The film focuses on heterosexual relationships and traditional power dynamics. There are no representations of non-binary gender identities or narratives that question traditional gender roles.

How does Las ficheras: Bellas de noche II portray gender?

Limited

Female cabaret performers play a central role, but their actions are often controlled by male figures. The story emphasizes traditional masculine behavior through the character of a pimp.

How racially and ethnically diverse is Las ficheras: Bellas de noche II?

Fair

The cast reflects the demographics of Mexico during the time period. A French woman is included as a minor international character but does not significantly diversify the cast.

How does Las ficheras: Bellas de noche II represent religion and culture?

Limited

The film highlights local social hierarchies through traditional comedic roles. It adheres to established social structures without challenging systemic issues.

Does Las ficheras: Bellas de noche II include disability representation?

Minimal

There are no visible depictions of physical, sensory, or neurodivergent disabilities in the film.

Present on Screen

  • Provides representation of a specific female-centric subculture within the Mexican film industry.
  • Reflects the domestic demographic and localized cultural setting of its era.

Limited or Absent

  • Lacks queer ability to act or representation of non-binary gender identities.
  • women's ability to drive the story is frequently controlled by male characters rather than being independent.
  • Relies on traditional masculine performance and established comedic formulas.

Official Synopsis

Bellas de noche continues. The ex-fichera who bought the cabaret continues to work with several of her former companions, the waiter Fabian, the pugilist Bronco who returns to boxing, Carmen, his wife, who returns to booking, the drunk “La Corcholata”, in love with an old man, and a French woman and the pimp “El Vaselinas”, whose favors are disputed by all the women, but who loses his virility and fights to regain it.

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