
Tarzan and the Great River
1967

Representation Score
Limited
1969
GDirector
Manuel Caño
Runtime
68 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tarzan in the Golden Grotto is a conventional adventure film that operates within the established formulas of its era. It finds its most interesting footing in its gender dynamics, presenting a capable female warrior class that challenges typical clichés of passivity. However, the film remains tethered to traditional structures. The reliance on a male protagonist to resolve the conflict and the lack of nuanced ethnic representation prevent it from being a truly subversive work. Ultimately, the film functions as a standard hero-versus-villain story, prioritizing clear-cut moral binaries and traditional storytelling over social critique.
Category Breakdown
The film adheres to the conventions that assume everyone is straight or cisgender. There is no evidence of diverse sexual or gender identities.
An all-female Amazon tribe serves as the primary protectors of their territory. While these women are depicted as tough warriors, the narrative still relies on Tarzan to resolve the central conflict.
The Central American setting and tribal community lack evidence of a non-white majority cast. The film risks using indigenous cultures as an exoticized backdrop for a Western-led adventure.
The story follows a traditional morality play with clear distinctions between good and evil. It reinforces standard concepts of justice and the protection of sacred property.
There is no mention of characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Tarzan helps the Amazons defeat two gangsters who wished to take over a sacred gold treasure from the women's tribe. There are extensive views of the Central America jungle, and several tough battles between the young Amazons and the evil pirates.

1967

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