The film lacks explicit evidence of queer identities or non-heteronormative narratives. It appears to follow the traditional social structures typical of a 1922 Vietnamese setting.

Agency and physical combat are concentrated among male protagonists. While women may exist in supporting roles, leadership and martial prowess are coded as masculine.

The narrative excels by centering a predominantly Vietnamese cast. It disrupts Western hero tropes by focusing on the local struggle against French colonial rule.

The film engages with anti-colonialist themes by critiquing French imperialist power. It frames local resistance as a way to deconstruct Western colonial structures.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.