The film adheres strictly to heteronormative structures. There is no presence of non-cisnormative identities or same-sex intimacy, as the romantic arc centers on a traditional heterosexual pairing.

Victorian gender hierarchies are reinforced throughout the narrative. While Gwen Conliffe shows some agency, she primarily functions as a romantic interest within established social constraints.

The cast is predominantly white and European, fitting the 19th-century setting. Benicio del Toro provides a moment of casting nuance as a British aristocrat, though the character remains culturally Anglo-Saxon.

The story operates within a traditional Western framework focused on family legacy and social hierarchies. It utilizes Victorian superstitions and religious atmospheres to build tension without deconstructing these institutions.

The protagonist's lycanthropy is treated as a supernatural curse rather than a nuanced exploration of disability. The transformation serves as a horror plot device rather than a lived experience.