
Infernal Symphony
1987

Representation Score
Good
1967
Not RatedDirector
Walerian Borowczyk
Runtime
13 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Games of Angels is a work that profoundly subverts traditional forms, focusing on psychological depth over demographic visibility. Its strength lies in its radical rejection of conventional Western institutional stability and its critique of systemic horror. Using an abstract, non-linear animation style, the film lacks the explicit character-driven representation common in mainstream cinema. It operates in a metaphysical realm where traditional markers of race, gender, and sexuality are replaced by surreal imagery. Ultimately, the film's diversity is found in its thematic deconstruction of the human condition. It uses a nightmarish labyrinth to challenge conventional moral certainty and social norms.
Category Breakdown
The film's abstract nature makes it hard to identify specific LGBTQ+ identities. However, the use of fluid, non-traditional forms supports a non-binary interpretation.
The narrative focuses on abstract forms rather than traditional characters. By avoiding recognizable human bodies and social structures, it disrupts typical gender roles.
The abstract animation style doesn't show any racialized characters or ethnic casting. The work exists in a metaphysical space that ignores traditional racial concepts.
The film effectively critiques established institutions and institutional cruelty. It emphasizes a dark, existentialist perspective over traditional religious or patriotic optimism.
The distorted, nightmarish physicalities of the abstract forms can represent psychological or sensory trauma. It explores fractured realities through a metaphorical lens.
Present on Screen
Limited or Absent
Official Synopsis
Animated short. Abstract forms in a setting evocative of a concentration camp created by the universe. Based on a series of paintings by the Polish artists and filmmaker Walerian Borowczyk, Les Jeux des Anges takes the viewer into a nightmarish and sinister labyrinth world. With images reminiscent of Bosch and Ernst and an abstract soundtrack the film evoke unspeakable horrors lurking at the heart Borowczyk's masterpiece. Borowczyk described the film himself as "A report on the city of angels."

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