P.S. Burn This Letter Please

The film focuses on reclaiming queer history by exploring the 1950s New York underground drag scene. It uses rediscovered letters and footage to give a platform to voices that were historically sidelined.

The narrative emphasizes the independence and creative control of Cheryl Cooney. By elevating her perspective, the film challenges the traditional male-dominated structures of historical record-keeping.

The documentary offers a nuanced look at the intersection of race and queer identity through Cheryl Cooney. It places a Black woman at the center of a narrative that was traditionally dominated by white figures.

The film dismantles official histories by prioritizing private, underground truths over sanitized institutional accounts. It treats mid-century social hierarchies as structures to be challenged through art.

There is no significant evidence regarding the portrayal of physical or neurodivergent disabilities within the film.