
Arabian Nights: Volume 3, The Enchanted One
2015

Representation Score
Good
2015
Not RatedDirector
Miguel Gomes
Runtime
132 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Miguel Gomes creates a work that disrupts traditional narrative structures through postmodern deconstruction. The film challenges the stability of the cinematic image by blending documentary realism with stylized fiction. While the film excels in breaking down traditional narrative authority and monolithic cultural identities, it does not focus specifically on underrepresented identities. Instead, it serves as an aesthetic inquiry into truth and performance.
Category Breakdown
The film explores identity through theatrical archetypes and performance artifice. It focuses more on aesthetic experimentation than on specific LGBTQ+ narratives or diverse character arcs.
Gender is portrayed as a flexible construct rather than a fixed hierarchy. Actors play roles that emphasize the fluidity and artificial nature of gender.
Documentary-style segments showcase the multicultural fabric of contemporary Portugal. The film avoids stereotypical depictions and offers a nuanced, pluralistic view of the local community.
The narrative deconstructs Western storytelling clichés by emphasizing moral relativism. It replaces linear, religious morality with a fragmented, episodic structure that prioritizes subjective, postmodern reality.
There are no significant characters with visible or invisible disabilities driving the narrative. The focus remains on formal experimentation rather than addressing neurodivergence or physical disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

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