
Dr. Jekyll and Mr. Hyde
1912

1972
Director
Lee Raymond
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
A crazed doctor, who has already murdered a man, finds Dr. Jekyll's diary and mixes up Jekyll's formula. He mixes up a batch of the potion, turns into the Jekyll monster and begins to stalk, rape and murder women.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any evidence of non-cisnormative identities. The narrative focuses strictly on a predatory, heteronormative model of violence.
Gender Representation
Women are positioned as primary targets of violence and lack agency. The film reinforces harmful hierarchies by using women as objects for the antagonist's actions.
Racial & Ethnic Diversity
There is no indication of intentional racial blending or characters of color with agency. The casting appears to follow homogeneous norms typical of 1970s horror.
Religious & Cultural Diversity
The story adheres to conventional moral frameworks of exploitation cinema. It focuses on individual pathology and criminal behavior rather than systemic or secularist critique.
Disability Representation
The film relies on the 'mad scientist' archetype. It uses physical and psychological transformation as a plot device rather than providing a nuanced depiction of neurodivergence.
Areas for Improvement
AI Analysis
The film operates within the conventional framework of 1970s exploitation horror, prioritizing visceral shock over social commentary. The narrative architecture relies on traditional tropes that reinforce existing power hierarchies. Rather than challenging social norms, the plot centers on a predatory figure using a scientific catalyst to enact violence. This structure utilizes marginalized groups as passive victims to drive the antagonist's agency. Ultimately, the work lacks intersectional complexity. It reinforces regressive social hierarchies by focusing on a singular predator and a passive victim class.

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1972

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