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Every Home Should Have One

Name: Every Home Should Have One
Director: Jim Clark
Released: 1970
Duration: 94 min

Representation Score

1.8/10

Minimal

1970

Director

Jim Clark

Runtime

94 minutes

Average Rating

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New Showbiz Analysis

Every Home Should Have One is a period-specific comedy that operates within the conventional social frameworks of 1970. The narrative focuses on the clash between modern advertising impulses and traditional social decorum, specifically through the lens of a husband and wife's professional and moral disagreements. Because the film centers on a domestic struggle over consumerism and television morality, it lacks the intentionality needed to disrupt traditional hierarchies. The representation remains rooted in the era's standard social structures, offering little in the way of diverse perspectives.

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Category Breakdown

Does Every Home Should Have One have LGBTQ+ representation?

Limited

The film does not include any characters with non-straight or non-cisgender identities, nor does it feature any same-sex relationships or intimacy. The story focuses on domestic conflicts and advertising ethics rather than LGBTQ+ themes.

How does Every Home Should Have One portray gender?

Fair

The plot centers on a traditional marital tension between Teddy and his wife. While the wife holds a position of authority, the conflict relies on established social roles from the 1970s.

How racially and ethnically diverse is Every Home Should Have One?

Minimal

The narrative reflects the homogeneous social structures typical of its 1970 release. There is no visible evidence of a multi-ethnic cast or diverse racial backgrounds.

How does Every Home Should Have One represent religion and culture?

Limited

The film explores the friction between capitalism and social morality through a comedic lens, focusing on consumerism rather than a deep critique of Western institutions.

Does Every Home Should Have One include disability representation?

Minimal

There is no information regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.

Present on Screen

The film offers a comedic exploration of the tension between capitalism and social morality.

Limited or Absent

The film lacks meaningful representation of LGBTQ+ identities, diverse racial backgrounds, or characters with disabilities.
The gender dynamics rely on established, traditional social roles rather than challenging existing hierarchies.

Official Synopsis

Teddy works for a large advertising company. Given the seemingly impossible task of selling frozen porridge, he decides to produce commercials that make the product seem sexy. This leads him to confrontation with the "Keep Television Clean" movement, of which his wife is a senior member.

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