
The Big Scare
1964

Representation Score
Limited
1965
Director
Alex Joffé
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a genre-driven exploration of a man balancing a civil service job with his life as a crime novelist. While it offers a nuanced look at identity within a structured society, it does not actively work to disrupt social hierarchies. Representation is largely traditional for 1965 French cinema. The narrative is driven by men's control over the story and a localized, likely homogeneous, urban setting. There is a lack of visible diversity in terms of LGBTQ+ identities or disability representation. Ultimately, the film functions as a character study of professional versus creative life. It utilizes the existing social and institutional framework of Paris rather than seeking to subvert it through diverse perspectives.
Category Breakdown
The film does not include any characters with non-straight or non-cisgender identities. The main character leads a conventional life within societal norms.
The story revolves around Louis Bourdin, a male protagonist who drives the plot. There is no indication of women taking significant roles or challenging traditional gender roles.
Set within the Parisian RATP, the film likely depicts a homogeneous population. It lacks diverse character arcs or race-bent casting.
The film examines the tension between institutional labor and creative writing. It uses the established social order as a backdrop without challenging Western institutions.
There are no characters with visible or invisible disabilities that play central roles in the plot. The narrative focuses on the protagonist's psychological duality.
Present on Screen
Limited or Absent
Official Synopsis
Louis Bourdin est employé à la RATP le jour, romancier la nuit, avec une forte prédilection pour le genre policier. Un jour, il rédige un polar situé dans l'univers de la RATP, boudé par les éditeurs. Le livre parvient alors aux yeux d'une bande de criminels...

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