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Kill the Wicked!

Name: Kill the Wicked!
Director: Tanio Boccia
Released: 1967
Duration: 92 min

Representation Score

2.3/10

Limited

1967

Director

Tanio Boccia

Runtime

92 minutes

Average Rating

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New Showbiz Analysis

Kill the Wicked! is a conventional Spaghetti Western that relies heavily on established genre clichés. The narrative structure prioritizes rugged individualism and traditional conflict, centering on a robber's struggle to protect his loot. Representation is limited by the era's cinematic norms. The film maintains standard gendered relationship dynamics and lacks engagement with multiple aspects of identity. While the plot introduces moral ambiguity through its protagonist, it remains a survivalist tale focused on greed and territorial disputes rather than a deconstruction of systemic institutions.

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Category Breakdown

Does Kill the Wicked! have LGBTQ+ representation?

Limited

The film focuses on a traditional romantic relationship between a robber and his girlfriend. There is no evidence of LGBTQ+ identities or non-traditional gender expressions.

How does Kill the Wicked! portray gender?

Limited

The plot centers on a male protagonist and his associate. Women such as a widow and an old lady appear, but their roles seem reactive to the male-driven conflict.

How racially and ethnically diverse is Kill the Wicked!?

Limited

The film likely adheres to period-typical casting for a 1967 Western. The narrative lacks specific evidence of diverse racial ensembles or non-Anglo-Saxon majority casting.

How does Kill the Wicked! represent religion and culture?

Fair

The story explores themes of theft and moral ambiguity. However, it functions as a survivalist tale rather than a critique of systemic power or religious institutions.

Does Kill the Wicked! include disability representation?

Minimal

The narrative contains no mention of characters with visible or invisible disabilities. No assessment can be made regarding the portrayal of physical or neurodivergent impairments.

Present on Screen

The film introduces moral ambiguity through its robber protagonist.
The plot features a diverse ensemble of characters, including a widow and an old lady, driving the central conflict.

Limited or Absent

The narrative lacks representation of LGBTQ+ identities or non-traditional gender expressions.
Female characters appear primarily in reactive roles to the male-driven plot.
The film adheres to homogeneous racial archetypes typical of the 1960s Western genre.

Official Synopsis

A robber decides to hide his loot in a ghost town, helped by his girlfriend and his one remaining man. Keeping it though may be a problem, with the lone inhabitant, an old lady, a mysterious stranger, a recent widow and a former gang member all more or less plotting against the bandits.

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