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To Want to Fly

Name: To Want to Fly
Director: Maurizio Nichetti, Guido Manuli
Released: 1991
Duration: 97 min

Representation Score

6.5/10

Good

1991

Director

Maurizio Nichetti, Guido Manuli

Runtime

97 minutes

Average Rating

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New Showbiz Analysis

To Want to Fly is a surrealist comedy that prioritizes visual metaphor and stylistic experimentation over social commentary. Its narrative is driven by a fantastical experience rather than multi-layered identity politics. The film succeeds in challenging traditional narrative structures through its focus on magical realism. However, it lacks a diverse demographic footprint, remaining a localized, character-centric study of a male protagonist. Ultimately, the work functions as a specialized piece of European surrealism. It challenges ontological boundaries but offers little in the way of systemic representation or diverse social perspectives.

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Category Breakdown

Does To Want to Fly have LGBTQ+ representation?

Fair

The film does not include any explicit LGBTQ+ characters or narratives. The story revolves around a surreal transformation rather than exploring non-straight relationships.

How does To Want to Fly portray gender?

Fair

The story centers on a male protagonist's physical crisis. There is no information about female characters or the subversion of gender roles.

How racially and ethnically diverse is To Want to Fly?

Limited

As an Italian production from 1991, the film reflects its era's regional demographics. It lacks evidence of diverse casting or non-Anglo-Saxon majority representation.

How does To Want to Fly represent religion and culture?

Good

The narrative disrupts reality by blurring the lines between the human and animated worlds. This surrealist approach prioritizes internal experience over social norms.

Does To Want to Fly include disability representation?

Fair

The protagonist's hands gaining autonomy serves as a metaphor for physical dysfunction. However, the film's treatment of bodily autonomy remains purely comedic and fantastical.

Present on Screen

The film uses surrealism to challenge traditional narrative structures and physical reality.
The central metaphor of bodily autonomy provides a unique, albeit comedic, exploration of physical control.

Limited or Absent

The narrative lacks diverse representation across gender, race, and LGBTQ+ identities.
The focus remains heavily centered on a singular male experience, limiting broader social perspectives.

Official Synopsis

Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.

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