
Eye Myth
1967

Representation Score
Good
1967
PGDirector
Pat O'Neill
Runtime
9 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This film is a formalist experiment that bypasses systemic biases by dismantling the human form into elemental shapes. It avoids the pitfalls of traditional character-based storytelling by refusing to engage with social hierarchies or gendered performances. While the film lacks explicit characters who reflect more than one aspect of diversity, its rejection of linear, moralistic Western narratives places it within a progressive framework. It prioritizes abstraction over the reinforcement of traditional gender or racial norms. Ultimately, the film's strength lies in its ability to provide a neutral, post-modern reality that avoids the standard commercial structures of the era.
Category Breakdown
The film's abstract nature lacks explicit depictions of sexual orientation. However, its deconstruction of the human form disrupts traditional heterosexual assumptions. It avoids conventional romantic or familial clichés, creating a neutral space.
Dancers and gymnasts serve as the primary subjects, but heavy tinting and mirroring strip away biological gender markers. This dismantles traditional hierarchies, though the lack of character's ability to drive the story limits representation.
Visual abstraction and mirroring make identifying specific racial or ethnic markers difficult. While the film avoids reinforcing white-centric family norms, it lacks active, actively leading representation of diverse identities.
The work rejects traditional Western storytelling and moralistic plots in favor of subjective experience. By focusing on biological processes rather than institutional values, it avoids promoting patriotism or religious morality.
There is no evidence of characters with disabilities being used as plot devices. The focus on fragmented, mirrored bodies could be viewed as a study of bodily differences, though no specific arcs exist.
Present on Screen
Limited or Absent
Official Synopsis
7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).

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