
Blinkity Blank
1955

Representation Score
Minimal
1971
Director
Norman McLaren
Runtime
7 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Synchromy is a purely formalist experiment in visual music that exists outside the boundaries of traditional narrative cinema. Since the film relies on the synchronization of abstract geometric shapes and synthetic sound, it lacks the human elements necessary for social representation. The work operates in a post-human space, focusing on the intersection of mathematics, physics, and perception. It does not engage with identity politics, social hierarchies, or interpersonal dynamics. Ultimately, the film is neutral rather than inclusive or exclusive. It avoids the sociological dimensions of the human experience in favor of a direct, sensory exploration of sound and color.
Category Breakdown
The film does not include any characters or gendered identities. It focuses on abstract geometric shapes and colors, making sexual orientation irrelevant.
There are no gendered characters in the film. By avoiding human figures, the work bypasses traditional gender roles and hierarchies.
The film uses geometric shapes and color theory instead of human actors. It does not engage with the symbols related to race.
As a non-narrative piece, the film does not address religious or socioeconomic institutions. It lacks human cultural symbols.
The film does not feature sentient beings. It does not address neurodivergence or physical disabilities through character actions.
Present on Screen
Limited or Absent
Official Synopsis
The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.

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1935
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