Lines: Vertical
1960

Representation Score
Minimal
1965
Director
Norman McLaren, Evelyn Lambart
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mosaic is a non-narrative, experimental animation that focuses on the study of color and shape. Since the work lacks characters, dialogue, and a conventional plot, it does not engage with identity-based representation through traditional storytelling. The film's diversity is primarily found in its creative team rather than its content. The inclusion of Evelyn Lambart as a co-director provides a significant disruption to the male-dominated animation landscape of the mid-1960s. Ultimately, the work functions as a neutral study of form. It lacks the symbols or narrative tools needed to address social, racial, or multi-layered themes.
Category Breakdown
Since the film is an abstract exploration of visual stimuli, it does not include characters or interpersonal dynamics and thus does not engage with LGBTQ issues.
The film lacks characters to depict gender roles. However, Evelyn Lambart's role as co-director challenges the male-dominated hierarchy of 1965 animation, indicating professional parity in its creation.
The film uses geometric shapes and color theory instead of human subjects. It does not depict race, ethnicity, or social hierarchies within its visual composition.
The film prioritizes formalist experimentation over cultural or religious themes. It avoids promoting traditional Western institutions but lacks the narrative tools to actively critique them.
There are no characters or depictions of physical or neurodivergent traits within the abstract animation.
Present on Screen
Limited or Absent
Official Synopsis
A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.
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1959
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