
Unsatisfied
1972

Representation Score
Limited
1969
Director
Sergio Gobbi
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Misdeal is a traditional psychological thriller that prioritizes suspense and identity theft over social critique. The narrative architecture is built around individual greed and the mechanics of a high-stakes deception. The film adheres to the genre clichés of its era, focusing on masculine-driven plots of financial maneuvering. It lacks diverse representation or narratives that challenge established social hierarchies. Ultimately, the film functions as a character study of moral ambiguity rather than an exploration of systemic identity politics.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. It follows the conventional social frameworks of late 1960s European thrillers.
The plot centers on male protagonists and figures of authority. There is little evidence of female character arcs or the subversion of gender hierarchies.
While the Amazon is mentioned, the focus remains on European protagonists. The film reflects the Eurocentric perspectives common in 1960s suspense cinema.
The story explores deception and greed through a character study. It does not explicitly critique Western institutions or present specific political sentiments.
There is no mention of characters possessing visible or invisible disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
A musician named Jacques Christens, is given a proposition by an old man. For ten million Francs he is asked to impersonate a certain Paul de Baer – a man who is supposedly exiled in the Amazone. Christens is told this scheme will save Mr. Baer from ruin. An adaptation of Boileau and Narcejac's "D'entre les Morts".

1972

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1963
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