You are here:

The Denver Kid

Name: The Denver Kid
Director: Philip Ford
Released: 1948
Duration: 60 min

Representation Score

1.5/10

Minimal

1948

Approved

Director

Philip Ford

Runtime

60 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Denver Kid is a traditional B-movie Western that sticks to well-known genre clichés. The plot centers on a lawman's quest to clear a man's name, reinforcing traditional hierarchies and institutional authority. Representation is confined by the era's cinematic standards, focusing on male-driven conflict and law-and-order themes. This results in a lack of diverse character's ability to drive the story and multi-layered depth. Ultimately, the film serves as a typical genre piece of its time, upholding the social and gender binaries prominent in 1948 and offering little disruption to conventional Western genre expectations.

Watch this, not that →

Category Breakdown

Does The Denver Kid have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives. It follows traditional gender and social divisions typical of post-war American cinema.

How does The Denver Kid portray gender?

Limited

The story revolves around male-driven conflicts between law enforcement and outlaws. Female characters are not part of the main plot.

How racially and ethnically diverse is The Denver Kid?

Limited

The setting includes the Border Patrol and activities south of the border. However, there is no indication of nuanced or diverse ethnic representation.

How does The Denver Kid represent religion and culture?

Limited

The narrative emphasizes institutional authority and traditional Western morality. It highlights the clear divide between heroic lawmen and criminals.

Does The Denver Kid include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities. These elements are not part of the primary narrative.

Present on Screen

The film offers a straightforward narrative centered on law enforcement and justice.
It adheres to the reliable storytelling formulas of mid-20th-century Westerns.

Limited or Absent

The film lacks meaningful representation of LGBTQ+ identities or narratives.
The narrative depends on traditional gender hierarchies and male-centric conflict.
Ethnic representation is monolithic, without nuanced or diverse character roles.
There is no visible inclusion of characters with disabilities.

Official Synopsis

When Border Patrol Lieutenant Roberts is killed, it appears that his brother Tim was the killer. To clear the Robert's name for his boss, Lieutenant Rocky Lane heads south of the border posing as an outlaw. He hopes to get in with the gang and find Tim who is using an assumed name. As always, Nugget is there to help.

How are these scores produced? →