
Medium Cool
1969

Representation Score
Fair
1970
PG-13Director
Stuart Rosenberg
Runtime
115 minutes
Average Rating
No ratings yetNew Showbiz Analysis
WUSA is a character study focused on moral erosion and the critique of institutional influence. While the film lacks overt demographic diversity in its primary character descriptions, it excels in its thematic architecture by challenging reactionary authority and systemic manipulation. The narrative prioritizes the deconstruction of established social and political norms. However, the overall score is moderated by a lack of explicit representation regarding race and LGBTQ+ identities. Ultimately, the film's strength lies in its progressive engagement with media ethics rather than its demographic breadth.
Category Breakdown
The film does not include visible LGBTQ+ identities or queer subtext. The romantic storyline focuses on the protagonist's relationship with a lady friend.
Female characters play a crucial role in the protagonist's moral awakening. Geraldine and Rainey provide the intellectual and moral guidance that challenges the central character's passivity.
The story centers around a media institution in New Orleans but does not explicitly mention a diverse cast. It is unclear if the setting's racial complexity is explored.
The film strongly critiques traditional Western institutions and reactionary political structures. It deconstructs systemic power by emphasizing individual moral decision-making over institutional loyalty.
There is no evidence of characters with visible or invisible disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Rheinhardt, a cynical drifter, gets a job as an announcer for right-wing radio station WUSA in New Orleans. Rheinhardt is content to parrot WUSA's reactionary editorial stance on the air, even if he doesn't agree with it. Rheinhardt finds his cynical detachment challenged by a lady friend, Geraldine, and by Rainey, a neighbour and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand.

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