
The Graduates
1986

1984
RDirector
Dorian Walker
Runtime
105 minutes
Average Rating
No ratings yetSynopsis
Lazy preppie Palmer Woodrow hires street-smart Eddie Keaton to go to school for him while he lives it up in Europe. Eddie falls in love with preppie gal Tracey, upsetting Biff, the Hoover Academy bully. When his bookie from the old neighborhood, Dice, comes to collect on Eddie's gambling debts and Palmer returns early from Europe, the the scheme slowly starts to unravel. Soon, Eddie can't even tell whose side he's really on.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks any explicit mention of non-heteronormative identities or same-sex intimacy. Romantic tension is framed through a traditional heterosexual lens between Eddie and Tracey.
Gender Representation
The narrative relies on conventional gendered archetypes. While Tracey acts as a romantic catalyst, the central conflict is driven primarily by male characters and masculine competition.
Racial & Ethnic Diversity
The story disrupts social hierarchies by placing a street-smart protagonist within an elite, traditionally white-dominated academy. This setup allows for an exploration of racial and class-based intersectionality.
Religious & Cultural Diversity
The film critiques institutional class structures by subverting the preppie lifestyle. However, it relies on established tropes of urban struggle, such as gambling debts and bookie archetypes.
Disability Representation
There are no visible or invisible disabilities portrayed in the narrative. No representation of disability is present in the story.
Strengths
Areas for Improvement
AI Analysis
Making the Grade is a comedy centered on class mobility and identity performance. The film's primary strength is its disruption of socioeconomic norms, using a fish-out-of-water premise to bridge the gap between urban and elite environments. However, the film remains limited by traditional storytelling tropes. The narrative focuses heavily on masculine competition and follows conventional gender roles, offering little agency to its female characters. Ultimately, while the film provides a platform for characters of color to navigate homogeneous spaces, it lacks engagement with LGBTQ+ or disability narratives, resulting in a mid-range diversity profile.

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