
Los días perdidos
1963

Representation Score
Limited
1967
Director
José María Arzuaga
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Passing the Meridian is a traditional character study that emphasizes conventional social roles and familial duties. It adheres to the storytelling norms of the late 1960s, focusing on regional realism and personal grief rather than subversive themes. The film's structure centers on a male protagonist's journey through professional and social constraints, which creates a narrative where the story is driven primarily by the male protagonist. Ultimately, the work lacks the multi-layered approach or systemic critique found in more progressive cinema. It functions as a localized drama that respects established social hierarchies rather than attempting to deconstruct them.
Category Breakdown
The film does not include any LGBTQ+ characters or stories that challenge the assumption that everyone is straight or cisgender. The story revolves around a protagonist dealing with traditional family relationships and loss.
Although a mother's death serves as the emotional trigger, the story's main driver is the male protagonist, Augusto. His journey through professional and social challenges keeps the narrative moving.
The story seems to revolve around a localized, possibly homogeneous community. There are no indications of a diverse or non-Anglo-centric cast in the film.
The film explores traditional social structures and the importance of the family unit. It highlights formal mourning rituals and established institutional hierarchies.
There are no characters with visible or invisible disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
Augusto, a lift operator in an advertising agency, learns that his mother has died in the village where she lived. A long, anxiety-filled day follows until he gets permission to go to the funeral.

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