
Burglary at Night
1904

Representation Score
Minimal
1906
Director
Georges Méliès
Runtime
11 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Georges Méliès' 1906 short film is a product of its time, prioritizing surreal spectacle and archetypal storytelling over modern characters who reflect more than one aspect of diversity. The film's focus is narrow, centered on the criminal exploits of Macaire and Bertrand within a masculine-coded framework. While the film lacks diversity in terms of gender, race, and orientation, it finds its strength in cultural subversion. By presenting a notorious swindler through satirical comedy, the film disrupts conventional moral absolutes and traditional social structures. Ultimately, the film serves as a historical snapshot of early French cinema, where character archetypes and theatrical farce take precedence over a diverse cast.
Category Breakdown
The film does not include any characters who identify as LGBTQ+. It follows the straight-centered conventions typical of early 20th-century theater.
The story emphasizes masculine dynamics between the characters Macaire and Bertrand. There are no indications of female characters or challenges to traditional gender roles.
The production reflects the homogeneous demographics of early French cinema. There is no documentation of a diverse cast or ethnic backgrounds.
The film offers moderate cultural depth by focusing on archetypal villains. It uses satire to challenge traditional moral authority and social stability.
There is no evidence of characters with visible or invisible disabilities. Such identities are not used as plot devices.
Present on Screen
Limited or Absent
Official Synopsis
Robert Macaire (Chevalier Macaire) was a noted criminal and assassin who appears in French plays. His name is renowned in French culture as that of the archetypal villain.

1904

1967

1897

1980

1971

1972

1947

1935
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