
One for the Book
1940

Representation Score
Minimal
1945
NRDirector
Raoul Walsh
Runtime
78 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a typical product of the 1940s studio system, emphasizing escapism and traditional social structures. It operates as a standard screwball comedy that upholds the status quo rather than challenging it. While the female lead demonstrates intelligence and quick thinking, the overall social context remains narrow. The production lacks complexity in representing multiple aspects of identity, presenting a homogeneous view of society aligned with the era's norms. Ultimately, the film does not attempt to challenge identity or systemic power dynamics, focusing instead on romantic complications and high-society stereotypes.
Category Breakdown
The film follows a traditional 1940s screwball comedy structure. It doesn't depict any non-binary gender identities or same-sex relationships, sticking strictly to the assumption that everyone is straight and cisgender.
Paulette Goddard's character showcases the quick wit and clever dialogue expected of a classic screwball heroine. However, the story adheres to traditional gender roles and mid-century social norms.
The cast is primarily made up of white actors, reflecting a narrow, Western-centric perspective. There are no characters from diverse racial or ethnic backgrounds.
This escapist comedy emphasizes romantic stability and high-society settings. It reinforces existing class hierarchies and follows the moral standards of the mid-1940s.
The narrative includes no characters with visible or invisible disabilities. Characters are portrayed as physically and mentally able-bodied, which is typical of the genre.
Present on Screen
Limited or Absent
Official Synopsis
A trumpet player in a radio orchestra falls asleep during a commercial and dreams he's Athanael, an angel deputized to blow the Last Trumpet at exactly midnight on Earth, thus marking the end of the world.

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