The film contains no evidence of non-cisnormative identities. There are no narratives present that address or explore heteronormativity.

The story centers on a male preacher exerting power over a community. This suggests a reliance on traditional horror tropes where authority and threat are centered on male figures.

As a Mexican production, the film provides a non-Anglo-Saxon cast. However, it lacks specific evidence of intersectional depth or the intentional disruption of racial hierarchies.

The plot relies on a central conflict between religious themes and satanism. This structure reinforces traditional moral binaries rather than critiquing religious institutions or exploring moral relativism.

There is no information regarding the inclusion of neurodivergent characters. The film does not appear to feature individuals with physical disabilities.