The film lacks LGBTQ+ characters or narratives. It follows a traditional horror framework centered on religious conflict, which offers no exploration of non-cisnormative identities or same-sex intimacy.

Plot agency is concentrated in male protagonists Father Roche and Milo. While female victims are present, the narrative reinforces a traditional protector and protected dynamic.

The film appears to align with mid-70s Western horror standards of homogeneous casting. There is no evidence of diverse ethnic representation or race-bent casting.

The story prioritizes a singular moral battle between a Satanic cult and Catholic clergy. It reinforces traditional religious authority rather than critiquing Western institutions.

There is no mention of characters with visible or invisible disabilities. No such elements are utilized as plot devices or portrayed with agency.