
Trauma
1962

Representation Score
Limited
1993
TV-MADirector
Douglas Gordon
Runtime
999 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Douglas Gordon’s installation is a postmodern deconstruction of Alfred Hitchcock’s *Psycho* by stretching the film to 24 hours, shifting the focus from narrative tension to a temporal study of existing imagery. Since the work appropriates a 1960s period piece, it is inherently limited by the demographic constraints of its source material, lacking new identities or social narratives. Ultimately, the piece mirrors the original's lack of diversity, challenging how we consume media rather than offering progressive representation.
Category Breakdown
The installation does not include any LGBTQ+ identities or narratives from the original 1960 source material.
The gender dynamics are based on mid-century cinematic clichés, focusing on power imbalances without introducing new progressive gender dynamics.
The work reflects the era's lack of racial diversity, with no characters of color or race-bent casting.
The work explores themes of time and memory but does not directly address socio-political critiques of Western institutions or religious structures.
The installation focuses on Norman Bates' psychological instability but lacks a modern or empowered portrayal of neurodivergence or mental health issues.
Present on Screen
Limited or Absent
Official Synopsis
24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light."

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