The Pilgrim
1923
No user ratings available yet
Representation score: 1.8 out of 10
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The Goat
Representation Score
0.9/10
Minimal
1921
Not RatedDirector
Malcolm St. Clair, Buster Keaton
Runtime
23 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Goat is a straightforward comedy focused on physical humor and situational absurdity. It reflects the demographic and social norms of its 1921 production period. The film does not engage with diverse perspectives or complex social critiques. Instead, it prioritizes the mechanics of physical comedy.
Category Breakdown
Does The Goat have LGBTQ+ representation?
The film does not include any LGBTQ+ characters or non-cisgender identities. It follows typical early 20th-century romantic storylines.
How does The Goat portray gender?
Gender roles adhere to 1920s standards, with male characters navigating chaotic situations while female characters mainly serve as romantic interests or plot catalysts.
How racially and ethnically diverse is The Goat?
The cast appears uniform, reflecting the demographics of the time. There are no non-white majority casts or diverse ethnic representations.
How does The Goat represent religion and culture?
This comedy focuses on household mishaps without critiquing societal systems. It emphasizes traditional social interactions and norms.
Does The Goat include disability representation?
The film does not depict any neurodivergence or physical disabilities. Humor comes from physical slapstick rather than the experiences of disabled characters.
Present on Screen
- The film highlights the technical skill and physical prowess typical of Buster Keaton's era of silent comedy.
Limited or Absent
- The narrative does not address diverse social perspectives or multi-layered identities.
- The film adheres closely to traditional 1920s gender roles and demographic norms.
- There is no depiction of neurodivergence, physical disabilities, or LGBTQ+ identities.
Official Synopsis
A series of misadventures occur when Buster is mistaken for a criminal on the lam.
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