
When the Gods Fall Asleep
1972

Representation Score
Fair
1969
Director
George Jonas
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Our Lady of Compassion serves as a sharp social satire that pits rural inhabitants against the performative morality of the urban elite. The film's primary strength lies in its structural critique of class and institutional authority. However, the narrative lacks specific visibility for certain identity groups. While it excels at exploring regional and cultural tensions, it offers little insight into gender dynamics or LGBTQ+ representation. Ultimately, the film provides a meaningful commentary on systemic corruption and social hierarchies, even if it does not explicitly address specific identity-based politics.
Category Breakdown
The film does not include explicit representations of LGBTQ+ identities. The narrative focuses on social and religious tensions rather than addressing queer politics.
While Regina Duarte is a notable cast member, the story centers around a male protagonist. Gender roles remain largely unexplored within the summary.
The setting engages with regional and ethnic identities through the backwoodsman and cangaceiros. Zózimo Bulbul's presence suggests some demographic complexity.
The film uses religious motifs to critique social hypocrisy. It explores moral relativism rather than promoting a singular religious dogma.
There is no information available regarding the depiction of physical or neurodivergent characters in this work.
Present on Screen
Limited or Absent
Official Synopsis
João Grilo is a backwoodsman who tries to get along at the expense of the powerful in the city, who pretend to be respectful of morals and good customs and hide their sins. But when a band of cangaceiros attacks the small town, everyone has to settle accounts with God and the Devil.

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