
Modern No.2
2011

Representation Score
Minimal
2014
Director
Mirai Mizue
Runtime
8 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mirai Mizue’s *Wonder* is a formalist experiment focusing on time and medium rather than social themes. With 8,760 unique hand-drawn abstract images, the film lacks characters, dialogue, and plot elements needed to explore social identities or power dynamics. By avoiding human subjects, the film sidesteps traditional hierarchies. However, this absence also means it does not engage with any specific social groups. The film exists in a neutral space, neither critiquing nor celebrating social progressivism, as its primary focus is on the evolution of form and the passage of time.
Category Breakdown
Since the film uses abstract forms, it doesn't depict any characters with specific gender identities or sexual orientations.
The film avoids traditional gender roles by using abstract shapes and colors instead of human characters.
The film does not feature human subjects, so it cannot represent racial identities. Color is used as a formal tool rather than a symbol of racial identity.
The film focuses on individual artistic expression rather than organized religious or cultural narratives.
The film does not depict any characters with disabilities. Its focus is on the pure form and the passage of time.
Present on Screen
Limited or Absent
Official Synopsis
The 365 days animation consists of sequence of 8760 pictures, all different shape and color, hand-drawn by the director every day in 365 days. This is the ultimate analog approach by the abstract animated film creator in digital era.

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