
That Good Night
2017

2010
Director
D. David Morin
Runtime
88 minutes
Average Rating
No ratings yetSynopsis
When Dr. Drew Carter tragically loses his ten-year old son in a car accident, he didn’t expect to lose his whole family as well. Since the accident, his wife (Julia) has become emotionally absent towards him and their daughter. When Johnny, a terminally ill foster child with leukemia, is referred to Drew he sees a chance to heal his family. With Julia against the idea, Drew takes matters into his own hands and adopts Johnny. Johnny doesn’t know what he is in for, but believes he is here for a special mission.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on a traditional nuclear family structure. There is no evidence of LGBTQ+ characters or narratives addressing non-heteronormative identities.
Gender Representation
The story utilizes traditional gendered archetypes. The male protagonist acts as the primary agent of change, while the female character is defined by emotional withdrawal.
Racial & Ethnic Diversity
The narrative appears to center on a homogeneous, middle-class experience. There is no mention of multi-ethnic integration or a diverse cast.
Religious & Cultural Diversity
The film prioritizes restorative moral frameworks and familial themes. It lacks a critique of Western institutions like the medical profession or the nuclear family.
Disability Representation
Johnny’s battle with leukemia provides meaningful engagement with physical illness. His sense of purpose avoids simple tragedy, though the representation is limited to one character.
Strengths
Areas for Improvement
AI Analysis
Johnny is a conventional domestic drama that prioritizes individual emotional healing over systemic critique. While it avoids the most reductive tropes of disability by giving a terminally ill character agency, the narrative remains anchored in traditional social structures. The film relies heavily on established archetypes, particularly regarding gender and family dynamics. The central conflict follows a standard trajectory of a male protagonist seeking to mend a fractured household, offering little subversion of traditional roles. Ultimately, the lack of intersectional complexity or racial diversity keeps the film within a narrow, homogeneous scope. It functions as a character study of grief rather than a progressive exploration of diverse identities.

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