
My Sisters
2014

Representation Score
Good
2014
RDirector
Andrew Levitas
Runtime
117 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lullaby is a character-driven drama that delves into the breakdown of traditional family structures and the exploration of personal autonomy. It moves beyond simple clichés by giving characters facing medical crises real ability to act, especially in debates over life support. However, the film operates within a relatively narrow social framework, lacking significant diversity in both race and LGBTQ+ representation. While it highlights strong female supporting roles, the narrative remains centered on a traditional male protagonist’s journey.
Category Breakdown
The story focuses on a heterosexual reunion between Jonathan and his partner, with no representation of non-straight or non-cisgender identities.
Female characters, such as a no-nonsense nurse and a wise young patient, play significant roles in driving the story's emotions. However, the film primarily follows the male protagonist's journey toward redemption.
The cast is predominantly white, featuring actors like Hedlund and Jenkins. The narrative does not center on non-Anglo-Saxon perspectives or include diverse racial backgrounds.
The film emphasizes personal choice and secular ethics, exploring moral relativism through the lens of patients' rights and decisions about life support.
Terminal illness serves as a catalyst for character development, focusing on the philosophical implications of medical autonomy and patient choice.
Present on Screen
Limited or Absent
Official Synopsis
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

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