
Becoming Who I Was
2017

Representation Score
Fair
2009
PGDirector
Nati Baratz
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Unmistaken Child succeeds in providing a platform for non-Western perspectives and cultural specificities. By focusing on the spiritual traditions of Nepal, the film moves away from Western-centric storytelling models and offers localized viewpoints. However, the film remains within traditional social frameworks. It lacks engagement with modern identity politics, particularly regarding gender parity and LGBTQ+ representation, as the story is rooted in a masculine monastic lineage. Ultimately, the film's value lies in its ability to present a non-secular worldview where spiritual purpose takes precedence over Western domestic structures.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or dynamics. The relationship between Tenzin Zopa and the child is framed through a spiritual and educational perspective rather than a romantic one.
The story focuses on a male-dominated monastic hierarchy and the lineage of male disciples. While it avoids active misogyny, it offers little opportunity for female characters to take a leading role in the spiritual journey.
The film highlights Nepalese monks and the cultural specifics of the Tsum Valley, giving full ability to act to characters of color. This approach disrupts the Anglo-centric viewpoint.
The film deeply explores Buddhist metaphysics, presenting reincarnation as a central reality. It challenges Western social norms by emphasizing spiritual calling over the traditional nuclear family structure.
There are no visible or invisible disabilities portrayed as central to the narrative arc.
Present on Screen
Limited or Absent
Official Synopsis
In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dali Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin.

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