
An Exorcism of Evil
2013

2016
Director
Federica di Giacomo
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
A film on the come back of exorcism in the contemporary world. Each year a growing number of people call their sense of unease “possession.” The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on spiritual and psychological crises within traditional religious settings. It does not actively feature or center non-heteronormative identities.
Gender Representation
A balanced gender dynamic exists among the participants seeking deliverance. However, the central authority figure maintains a traditional patriarchal role within the religious hierarchy.
Racial & Ethnic Diversity
Set in Sicily, the film reflects a specific Mediterranean cultural context. The cast appears localized and culturally homogeneous rather than multi-ethnic.
Religious & Cultural Diversity
The narrative is deeply rooted in Western religious institutions. It portrays the Church as a functional tool for stability rather than critiquing its authority.
Disability Representation
The film provides a platform for those experiencing unnamed psychological discomfort. It avoids tropes by focusing on the raw reality of their perceived afflictions.
Strengths
Areas for Improvement
AI Analysis
Deliver Me explores the intersection of modern psychological distress and ancient religious ritual. It offers a window into how individuals seek recognition for suffering that lacks a clinical name, using the framework of the Catholic Church. While the documentary provides meaningful insight into personal crises, it functions primarily to reinforce existing social and religious structures. The narrative relies heavily on traditional institutional authority rather than challenging it. Ultimately, the film serves as a study of spiritual coping mechanisms within a specific cultural landscape, prioritizing traditionalist views of morality and hierarchy over social subversion.

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