
Going Clear: Scientology and the Prison of Belief
2015

Representation Score
Good
2019
RDirector
Penny Lane
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Penny Lane’s documentary uses the Satanic Temple to examine established social and religious power structures. By integrating diverse identities into its argument for secularism and pluralism, the film goes beyond familiar patterns. It highlights how non-assuming gender matches what was assigned at birth identities use legal frameworks to challenge theocratic dominance. However, while the film excels in cultural and LGBTQ+ representation, it focuses more on legal and philosophical debates, limiting the exploration of racial and ethnic diversity.
Category Breakdown
The film centers on how individuals with queer identities work within religious activism to challenge the assumption that everyone is straight or cisgender. It critiques the dominance of traditional views on sexuality and religion.
Women are shown as key players in high-stakes political and legal situations, presenting them as intellectual equals to men. They are not just passive observers but take control and act on their own terms.
The documentary features a wide range of activists from different backgrounds, challenging the idea that religious movements are uniform. It highlights a modern, diverse American identity through various stories and backgrounds.
The film provides a strong critique of the influence of religious institutions on American legal systems. It portrays these institutions as barriers to achieving true pluralism and equality.
There is no information available regarding the portrayal of visible or invisible disabilities in this documentary.
Present on Screen
Limited or Absent
Official Synopsis
The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.

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