The documentary focuses exclusively on Catholic liturgical and spiritual procedures. There are no LGBTQ+ characters or narratives addressing non-cisnormative identities.

The film centers on a patriarchal hierarchy led by male clergy. While Cristina is a central subject, she remains a passive recipient of spiritual intervention.

Set in Rome, the film reflects local demographics with a predominantly white, European presentation. It does not seek to expand beyond Western-centric casting norms.

The narrative functions as a defense of the Roman Catholic Church. It promotes a singular moral framework of good versus evil rather than moral relativism.

Subjects experience severe psychological fits framed through a supernatural lens. These conditions serve as evidence of demonic influence rather than providing agency to the individuals.