The film lacks explicit same-sex intimacy or non-cisnormative identities. While it explores the performative nature of identity, the primary social structures remain within heteronormative frameworks.

The narrative disrupts traditional hierarchies by granting agency to female figures like Gala and Dora Maar. These women are portrayed as formidable architects of Dalí’s persona rather than passive muses.

Set within the 1970s European artistic elite, the cast and setting are largely homogeneous. The film reflects the specific historical and socioeconomic constraints of this particular social class.

The film embraces postmodern subjectivity and moral relativism. It deconstructs the 'great man' mythos by framing the artist as a figure of curated eccentricity rather than a moral paragon.

Psychological complexities and mental volatility are explored through the lens of artistic temperament. These elements serve the character study rather than centering neurodivergence as a primary driver of agency.