You are here:

Revenge of the Snakes

Name: Revenge of the Snakes
Director: Şerif Gören
Released: 1985

Representation Score

4.9/10

Fair

1985

Director

Şerif Gören

Runtime

0 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Revenge of the Snakes is a social realist drama that centers on the tension between a underrepresented peasant family and local power structures. It succeeds in offering a culturally specific, non-Western perspective that critiques institutional corruption and property encroachment. While the film features a strong portrayal of matriarchal ability to act through Irazca Ana, it remains limited by a traditional straight-centered framework. The narrative lacks ethnic diversity and LGBTQ+ representation, focusing instead on a homogeneous rural community. Ultimately, the film's strength lies in its critique of systemic authority rather than its breadth of identity representation.

Watch this, not that →

Category Breakdown

Does Revenge of the Snakes have LGBTQ+ representation?

Limited

The film focuses on a traditional nuclear family unit and does not include any LGBTQ+ characters or non-straight relationships.

How does Revenge of the Snakes portray gender?

Fair

Irazca Ana plays a central, resistant role as a strong female character. However, the main conflict revolves around the patriarchal family structure.

How racially and ethnically diverse is Revenge of the Snakes?

Fair

The story delves deeply into specific regional Turkish identities but lacks multi-ethnic representation, reflecting the homogeneous nature of its rural setting.

How does Revenge of the Snakes represent religion and culture?

Excellent

The film critiques systemic corruption and the impact of institutional power on traditional ways of life. It centers a non-Western, agrarian perspective against oppressive local authorities.

Does Revenge of the Snakes include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities in the provided information.

Present on Screen

Strong portrayal of matriarchal ability to act through the character of Irazca Ana.
Deep, authentic exploration of regional Turkish village life and agrarian identity.
Effective critique of systemic corruption and the abuse of local institutional power.

Limited or Absent

Lack of LGBTQ+ representation or non-straight relationships.
Limited ethnic and racial diversity within the rural setting.
Reliance on traditional patriarchal family structures for the primary narrative arc.

Official Synopsis

Kara Bayram is a poor farmer living in a Turkish village with his wife, 3 kids (4th on the way) and his old mother Irazca Ana. They live on their own until another villager, Haceli who is backed up by the Mukhtar (local administrator of the Village) starts to build a new house right in front of their's. Kara Bayram and Irazca Ana do not accept these uninvited neighboors from the first day and unwanted events start right away.

How are these scores produced? →