You are here:

The Long Goodbye

Name: The Long Goodbye
Director: Robert Altman
Released: 1973
Duration: 112 min

Representation Score

6.0/10

Good

1973

Director

Robert Altman

Runtime

112 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Robert Altman’s neo-noir is a sophisticated deconstruction of the genre. It challenges traditional masculine stereotypes and integrates queer identity without relying on outdated clichés. The film offers a profound critique of traditional Western institutions and social cohesion. Using a postmodern lens, it explores social fragmentation and the decay of moral certainty, adding depth to the mystery. However, the film is limited by its focus on a specific era, resulting in a lack of racial and ethnic diversity among the main characters.

Watch this, not that →

Category Breakdown

Does The Long Goodbye have LGBTQ+ representation?

Good

The film includes non-binary identities in the central mystery without sensationalizing them. Terry Lennox is portrayed in a straightforward manner that avoids the 'tragic queer' stereotype.

How does The Long Goodbye portray gender?

Good

Women in the film have varying levels of influence within a changing social environment. Characters like Lynne and Eileen Wade challenge the 'femme fatale' stereotype to provide more complex roles.

How racially and ethnically diverse is The Long Goodbye?

Limited

The story focuses on the socioeconomic differences within a largely homogeneous Hollywood elite, rather than showcasing a broad range of racial or ethnic backgrounds.

How does The Long Goodbye represent religion and culture?

Excellent

The film critically examines Western institutions and social cohesion. It uses Marlowe’s outdated code to explore moral relativism and the decadence of upper-class capitalism.