The film operates within a strictly heteronormative framework. It focuses on a masculine brotherhood that lacks any depiction of non-cisnormative identities or queer subtext.

The narrative is almost exclusively male-centric, reinforcing traditional hierarchies. Female characters are relegated to secondary roles as nurses or romantic interests.

The cast is predominantly white and Anglo-Saxon. This reflects the historical composition of the British Royal Flying Corps during the early years of World War I.

The film disrupts the 'heroic war' trope by focusing on the futility of conflict. It portrays military institutions as systemic meat grinders rather than glorious entities.

There is no focus on neurodivergence or physical disabilities as central arcs. Psychological trauma is presented as a collective consequence rather than an exploration of individual agency.