The film lacks non-cisnormative identities or narratives that challenge heteronormativity. Nancy Aglet is defined by her traditional roles as a wife and mother.

Gender hierarchies dominate the story. While Nancy is the central figure of the conflict, agency is largely held by male religious and media figures.

The narrative suggests a homogeneous casting approach. Character names follow Western, Eurocentric conventions without signaling significant racial or ethnic diversity.

The plot centers on the authority of the priesthood and traditional religious morality. It reinforces the importance of organized religion and the nuclear family.

No information is provided regarding physical or neurodivergent representation. The supernatural trope of possession is used as a genre standard rather than a nuanced depiction.