The film lacks prominent LGBTQ+ characters or narratives. The romantic core focuses entirely on a heterosexual partnership without exploring non-cisnormative identities.

Gender roles serve primarily as vehicles for slapstick comedy. While the female lead shows domestic agency, the film relies on conventional gendered conflicts for humor.

The film centers a Black lead in a genre that historically favors white protagonists. This placement disrupts suburban horror tropes by centering Black domesticity.

Engagement with cultural and religious institutions is superficial. It treats exorcisms and demons through absurdity rather than offering a deep critique of organized religion.

There is no significant or nuanced portrayal of visible or invisible disabilities. The narrative focus remains strictly on the comedic paranormal interactions.