The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The narrative focus remains strictly on the spiritual conflict between an exorcist and a metaphysical infection.

Alba serves as a central figure rather than a passive companion. Her forgotten past acts as a primary plot driver, disrupting common horror tropes that relegate women to mere victims.

As a localized Spanish production, the film focuses on a specific regional landscape. There is no explicit detail suggesting intentional racial blending within the primary character set.

The story engages with traditional religious hierarchies and the role of the exorcist. It suggests a crisis within these institutions as a spiritual infection spreads uncontrollably.

There is no evidence regarding the portrayal of physical or neurodivergent disabilities. The soul infection functions as a metaphor for possession rather than a depiction of disability.