
The Candy Witch
2020

2015
PG-13Director
Erik Glode, Edward Nyahay
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
After 300 years of seeking revenge on the Hekate Family through The Hekate Chronicles, Bertrand Guilladot's ghost, a Catholic Priest from Dijon, France in 1742, who sold his soul to the devil through witchcraft, has finally met his match. Azar Francis Hekate, today's most powerful sorcerer, feeds souls to the demon, Paymon, the master of infernal ceremonies, who lives within his wife, Sabazios. When Bertrand stumbles upon his witchery, Azar is in for the battle of his life.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative relationships. While a demonic entity inhabits a wife, this metaphysical bond does not constitute intentional queer representation.
Gender Representation
The plot centers on a power struggle between male figures. However, the female character Sabazios avoids domestic tropes by serving as a powerful vessel for a demon.
Racial & Ethnic Diversity
The story focuses on 18th-century France and specific European lineages. It appears to follow a traditional Western historical framework with limited evidence of racial diversity.
Religious & Cultural Diversity
The narrative disrupts singular Christian morality by featuring a priest who practices witchcraft. This creates a complex ethical landscape that critiques traditional religious authority.
Disability Representation
There is no information regarding characters with disabilities, neurodivergence, or chronic health conditions in this work.
Strengths
Areas for Improvement
AI Analysis
The film operates as a genre-driven horror piece focused on supernatural conflict. It prioritizes historical and occult themes over broad demographic representation or intersectional depth. While the story subverts religious hierarchies through its fallen protagonist, it remains rooted in a traditional Western framework. The narrative structure follows conventional genre tropes rather than dismantling social hierarchies. Ultimately, the film lacks the diverse character archetypes and inclusive casting necessary to achieve a higher progressive score.

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