
What Shall We Do with Our Old?
1911

Representation Score
Limited
1912
Director
D.W. Griffith
Runtime
17 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a traditional domestic melodrama that emphasizes the preservation of established social and familial structures. It centers on a conventional arc of professional loss and eventual restoration. While the narrative offers emotional depth through familial connections, it lacks complexity in its portrayal of diverse identities. The story relies on standard domestic frameworks and reinforces the status quo without challenging it. Overall, the work serves as a typical period piece that maintains social norms, focusing on the stability of the nuclear family unit.
Category Breakdown
The film does not include any LGBTQ+ characters or non-straight relationships. The story revolves around a traditional nuclear family and a heterosexual romance.
The story follows early 20th-century gender roles. Female characters provide emotional depth but operate within a framework of domestic stability.
The cast appears uniform, reflecting the demographics of the time. There are no non-white or racially diverse characters in the narrative.
The film upholds traditional Western values about family and professional stability. It presents a storyline where social order and the status quo are restored.
The protagonist's beggar disguise is used as a temporary plot device for a comedic chase, rather than depicting a genuine disability.
Present on Screen
Limited or Absent
Official Synopsis
An elderly actor who lives with his wife and daughter is dismissed from his acting job because he is considered too old. On his way home from the theatre he panics at the thought of telling his family the bad news and decides to disguise himself as a beggar. His daughter's beau accidentally gives him a five dollar gold piece, thinking that it was a smaller coin. A chase ensues with a policeman, the daughter, and her beau in hot pursuit. When caught he is recognized by his shocked daughter, but is quickly forgiven by all. Meanwhile the actor hired to replace him has already been fired and a messenger is dispatched to rehire the Old Actor to the delight of his wife, daughter, and fellow actors.

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