The film adheres to heteronormative frameworks established in its source materials. There is no evidence of non-cisnormative gender identities or same-sex intimacy.

Fujiko Mine provides agency through manipulation, disrupting the passive love interest role. However, her character often relies on the sexualized femme fatale trope. Ran Mouri shows physical capability through martial arts, yet traditional gendered roles persist.

The narrative is culturally homogeneous, set in a modern Japanese urban context. It features a predominantly East Asian cast without exploring intersectional identities or diverse demographics.

Lupin III’s criminality is framed as a stylized, individualistic rebellion against law and order. This offers a mild critique of authority but avoids deeper religious or socio-economic deconstruction.

There is no significant presence of characters with visible or invisible disabilities. Characters are portrayed through the lens of idealized physical capability required for action-adventure.