The film adheres to the heteronormative standards of the 1920s. There is no evidence of non-cisnormative identities or same-sex intimacy.

Female characters primarily serve as romantic motivators within a traditional hierarchy. The narrative focuses on the male protagonist's rise to power through martial competence.

Casting is largely homogeneous and focused on Anglo-European history. The inclusion of a Moorish fighting ship introduces non-European elements through a colonial-era lens.

The story critiques the Spanish Inquisition and centralized Spanish imperial authority. It frames the protagonist's piracy as a necessary response to corrupt state power.

No visible or invisible disabilities are central to the plot. Characters with disabilities are not utilized as plot devices or subjects of mockery.