
Alice and the Three Bears
1924

1925
Not RatedDirector
Walt Disney
Runtime
7 minutes
Average Rating
No ratings yetSynopsis
While Alice is away, her cat is guarding the house. He chases one pesky rat inside the house, and shoots a hole in the floor, which he falls through, into a vat of home-brew. With the cat thus away, the rats play, at first dancing and singing, and later playing in the bathtub. The cat eventually sobers up (after he lands in a cactus), and tries to blow up the rats (and house!) with a bomb, but the rats plant the bomb on the cat, who blows up himself, Alice, and several nearby trees.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on animal characters and slapstick conflict. There is no evidence of LGBTQ+ characters or narratives addressing non-cisnormative identities.
Gender Representation
While Alice is the titular character, she remains a passive element of the environment. Agency is held by the male-coded cat and the rats, though the cat's incompetence offers minor slapstick subversion.
Racial & Ethnic Diversity
The animation follows a homogeneous, Western-centric style typical of the mid-1920s. There is no evidence of a diverse cast or the blending of racial identities.
Religious & Cultural Diversity
The narrative depicts a breakdown of domestic order through intoxication and chaos. The rats disrupt the sanctity of the home, leaning toward an anarchic, anti-social comedic structure.
Disability Representation
The film provides no information regarding characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Alice Rattled by Rats is a product of early American animation characterized by surrealist and anarchic narrative structures. It prioritizes slapstick destruction over social representation, focusing on a cat and a collective of rats in a domestic setting. The film lacks demographic breadth, functioning as a localized, anthropomorphic fable. While it subverts traditional domestic stability through chaos and property destruction, it does not engage with intentional intersectional character development. Ultimately, the work serves as an experimental comedic short rather than a vehicle for diverse social perspectives.

1924

1927

1925

1925

1924

1923

1928

1926

1925

1929

1922

1926
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.