Kiss Me, Kiss Me, Kiss Me!
1968

Representation Score
Minimal
1966
NRDirector
Daniel Petrie
Runtime
109 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Idol is a mid-century domestic drama that explores the fallout of a scandalous affair. It functions as a traditional period piece, focusing on interpersonal transgressions rather than social subversion. The film lacks markers of progressive representation. It does not appear to challenge systemic hierarchies or provide visibility for underrepresented identities, instead operating within the standard social frameworks of 1966. Ultimately, the narrative seems designed to examine the consequences of breaking social mores within a conventional, homogeneous setting.
Category Breakdown
The film does not show any non-straight relationships. The main conflict revolves around a heterosexual relationship.
The story highlights gender tensions between a student and a mother. However, it likely follows the traditional gender roles of the 1960s.
There are no indications of a non-white cast. The film appears to follow the homogeneous casting norms typical of its time.
The story explores the conflict between personal desires and societal stability. It likely upholds traditional moral consequences rather than embracing moral relativism.
There is no evidence of characters with visible or invisible disabilities being included in the story.
Present on Screen
Limited or Absent
Official Synopsis
A rebellious student embarks on an affair with the mother of his best friend, leading to disastrous consequences.
1968

1961

1967

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1965
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