
The Great Flirtation
1934

Representation Score
Minimal
1928
Not RatedDirector
Anthony Asquith, A.V. Bramble
Runtime
103 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Shooting Stars is a period-specific melodrama that emphasizes interpersonal conflict over systemic issues. While it showcases female professional ambition through Mae Feather, it remains tied to the social and moral norms of the late 1920s. The film lacks representation of LGBTQ+ identities and racial diversity, reflecting the homogeneous casting practices of early British silent cinema. The narrative centers on a traditional marital conflict without engaging with broader identity-based frameworks or diverse social perspectives.
Category Breakdown
The film does not include any characters with non-binary or LGBTQ+ identities. It focuses on a traditional extramarital affair, adhering to the heterosexual norms common in 1928 British melodrama.
Mae Feather exhibits professional ambition as a performer, navigating jealousy. However, the film largely follows the dramatic structures of the time without challenging male authority.
There are no non-white performers or instances of color-blind casting. The production reflects the homogeneous white casts typical of British silent cinema during this period.
The story operates within traditional Western moral frameworks, focusing on individual infidelity. It does not critique Western institutions or prioritize secular themes.
No characters with visible or invisible disabilities are included in the narrative or historical records.
Present on Screen
Limited or Absent
Official Synopsis
The husband and wife acting team of Mae Feather and Julian Gordon is torn apart when he discovers she is having an affair with the screen comedian Andy Wilks.

1934

1927

1932

1931

1927

1924

1932

1930
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