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Stolen Pleasures

Name: Stolen Pleasures
Director: Phil Rosen
Released: 1927
Duration: 58 min

Representation Score

0.4/10

Minimal

1927

Passed

Director

Phil Rosen

Runtime

58 minutes

Average Rating

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New Showbiz Analysis

Stolen Pleasures is a conventional domestic drama that upholds the social hierarchies of the 1920s. The plot revolves around two married couples dealing with interpersonal conflicts and misunderstandings. The film's resolution emphasizes restoring peace to the home front, highlighting the stability of the nuclear family. This narrative arc reinforces traditional domestic order rather than challenging it. Overall, the film lacks complexity in representing various aspects of identity. It serves as a period piece that upholds established cultural norms through its focus on marital reconciliation and social harmony.

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Category Breakdown

Does Stolen Pleasures have LGBTQ+ representation?

Minimal

The film focuses solely on heterosexual marriages and does not include any characters with non-traditional gender identities or sexual orientations.

How does Stolen Pleasures portray gender?

Limited

Women such as Doris and Clara play key roles in the plot's conflict. However, the resolution returns to traditional domestic roles, reinforcing gender hierarchies.

How racially and ethnically diverse is Stolen Pleasures?

Minimal

The film likely reflects the homogeneous casting practices of the time, focusing on a white, Western social framework without any diversity.

How does Stolen Pleasures represent religion and culture?

Limited

The narrative emphasizes the preservation of the traditional family unit, aligning with conservative ideals about marriage and domestic stability.

Does Stolen Pleasures include disability representation?

Minimal

There is no evidence of characters with visible or invisible disabilities in the film.

Present on Screen

The film offers a clear view of the domestic dramatic structures and moral frameworks typical of the 1920s silent era.

Limited or Absent

The narrative lacks representation of LGBTQ+ identities or non-traditional gender characters.
There is a lack of racial and ethnic diversity within the social framework.
The story does not include characters with disabilities or explore diverse cultural perspectives.
The film reinforces traditional gender roles rather than providing a critique of social hierarchies.

Official Synopsis

Two married couples, Doris (Helen Chadwick) and John Manning (Gayne Whitman) and Clara (Dorothy Revier) and Herbert Bradley (Ray Ripley), each separate as a result of domestic arguments. After certain misunderstandings and false accusations, peace is returned on the home front.

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